#Sally mann seriesFrom the late 1990s into the 2000s, Mann focused on the American South, taking photographs in Alabama, Mississippi and Louisiana for her series Deep South (2005), as well as Civil War battlefields for Last Measure (2000). Her first solo museum exhibition was at the Corcoran Gallery of Art, Washington, DC, in 1977. In this work, Mann draws a parallel between the all-consuming wildfires she encountered there with racial conflict in America, explaining “The fires in the Great Dismal Swamp seemed to epitomize the great fire of racial strife in America – the Civil War, emancipation, the Civil Rights Movement, in which my family was involved, the racial unrest of the late 1960s and most recently the summer of 2020. Something about the deeply flawed American character seems to embrace the apocalyptic as solution.”īorn in Lexington, Virginia, Mann began studying photography in the late 1960s. Mann’s winning series Blackwater (2008-2012) is a multifaceted exploration of the devastating wildfires that enveloped the Great Dismal Swamp in southeastern Virginia, where the first slave ships docked in America. Blackwa– 2012 From the series Blackwater, 2008–12 Tintype Courtesy of the artist and Gagosian Her works explore family, social realities and the passage of time, capturing tensions between nature, history, and memory. 1951) is known for her photographs of intimate and familiar subjects rendered both sublime and disquieting. Each of the shortlisted bodies of work explores the topical theme of ‘Fire’, the focus of this cycle of the award. The announcement, at a ceremony at the Victoria and Albert Museum (V&A) in London, marks the opening of a major exhibition showcasing the 12 photographic series shortlisted for the prize. Sally Mann Lexington Virginia 2015 © Annie Leibovitz Goldsmith Foundation Fund Reference Number 2000.American artist Sally Mann is the winner of the 9 th cycle of the Prix Pictet, the global award in photography and sustainability. Sally Mann will receive a cash prize of 100,000 Swiss Francs (£82,000, USD109,000). Status Currently Off View Department Photography and Media Artist Sally Mann Title Deep South, Untitled (Three Drips) Place United States (Artist's nationality) Date Made 1998 Medium Gelatin silver print Inscriptions Unmarked recto verso: Dimensions 94.5 × 118.5 cm (image/paper, appro×.) Credit Line Horace W. The outdated chemical process makes material the permanent impression of history on backcountry southern landscapes. Rather than attempt conventional perfection, Mann embraces scrapes and fogged negatives that enhance a melancholic quality in her images. The process requires great technical skill and is prone to accident. The laborious technique, which dates to the Civil War, requires the photographer to bring a bulky view camera, glass negatives, and a makeshift darkroom wherever she goes. In her series Deep South, she metaphorically transposes histories of the American South into photographs using the wet-plate collodion process. Sally Mann has documented her native Virginia for more than 30 years.
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